Showing posts with label Conferences. Show all posts
Showing posts with label Conferences. Show all posts

Thursday, June 24, 2010

ALA conference tips

Need some advice for the American Library Association conferences? Try these tips and tricks:
  • If you ask anyone what their advice is for the annual conference, they will answer "wear comfortable shoes."
  • Wear comfortable shoes.
  • If there's an event/luncheon/ceremony that you really want to go to and it costs money..... go. Often, people who buy tickets for events are unable to attend because their plans change. It's easy to find free tickets to events during the conference… keep an eye open for listserv postings and ask people with similar interests if they have a ticket they're not using.
  • You have to pay for the books at the author signings. Hardcovers are $10, paperbacks are $5. If there's an author you love, it's worth it to lug their book with you from home so you don't have to buy it at the conference. If your favorite author is sitting right in front of you signing books (even if you own the book and forgot to bring it)- buy the book and get it signed. It's worth the $10.
  • Try to say something to authors that they don't hear all the time. The more specific you can be the better. Instead of saying to a picture book author "I love your illustrations," say "I love the detailed tiger picture in this book. How long did it take you to draw that?" "Why did you dedicate the book to your brother-in-law?" If you know any of their previous lesser known books- definitely mention them.
  • Make a list of author signings, and a list of publisher booths that you really want to see. To get an extremely hot or popular book, arrive at the booth 15-30 minutes before the signing.
  • Put everything that sounds interesting to you on your schedule. You never know where you'll end up and it's good to know the locations and room numbers of all possible events.
  • Take pictures of the authors you see- no matter how stupid you feel about doing it- you'll be grateful ten years later when they win the Caldecott or the Pultizer.
  • Even if you're not looking for a job right now, get your resume reviewed at the Placement Center. It's always good to have a current copy of your resume handy, and it's great to get such wonderful, professional advice from library managers. If you plan to get your resume reviewed, go immediately to sign up for a slot..... even before you pick up your registration badge. All the weekend's sessions can fill up by the end of Friday.Plan lunch and dinner breaks, otherwise it's really easy to skip meals and wind up hungry and exhausted. Go to lunch and dinner with an old (or new) friend.
  • Soak it all in and don't be shy. Talk to everyone.... lines are great places to meet people. Go to the informal happy hours, get-togethers for your college, interest group, etc. Collect all the ribbons for your badge you can- for all the divisions you belong to. Makes a great talking point.
  • Use the bag check at the convention center religiously so you're not lugging so many books around. Keep coming back to it to dump your books. At the end of the day, sort through all the books and freebies you've picked up and take the ones you really want. Ship everything home (even if you're local).
  • You don't have to do every last thing on your schedule. Make sure to linger to talk to your favorite authors. Place hooky from a session or two. Go sightseeing. Take a nap if you need one.
  • Go to the booths of the large publishers. You'll find multiple copies of books laid out on the floor or on tables in big stacks. These are free and you can take them. Be sure to check back at the booths several times during the conference because, they'll put out different books on different days. Smaller publishers are unlikely to have free books available.
  • Ask for books you're interested in. Publishers bring tons of books with them, but don't have the quantities to put every book out in a stack for everyone to take. If there's a book you're dying to read, find out who the publisher is, go to their booth and tell them what book you're looking for. If they don't have a copy with them, they may be able to send you one after the conference is over. Or not. But, it's always worth it to ask. And, even if you don't get to walk away with one, they'll probably have a copy on display that you can take a look at (which is particularly useful for picture books).
  • Don't take everything you see. There are tons of free handouts available at ALA. Take only what you're interested in (or what a friend or colleague who didn't get to go would be interested in). If there's a free book or an ARC (advance review copy) that you already have access to, or have absolutely no interest in or use for... leave it for someone else. The same rule applies for fliers, tote bags, pens, and all the other freebies you'll see. Don't worry; you'll still acquire tons of free stuff.
  • Talk to the vendors. Don't just look at them as a source of free books. ALA gives you a chance to share your opinions with the publishers and ask them about your favorite and forthcoming books. The exhibit booths are staffed by editors, publishers, owners and salespeople. They may know an interesting detail about an author or the creation of a book that will help you "sell" a book when you get back home. And they'll be interested to hear your feedback about their books and products. And ask them any questions you have. They know a lot more about their books than what's in the catalogs.
  • ALA has a free shuttle bus service runs from the convention center to every conference hotel. It's invaluable. Use public transit too, of course… but give yourself permission to take cabs too. Sometimes, the time savings really makes it worth it.
  • You can never have too many business cards. Even if you have a professional card (and especially if you don't) make cheap personal ones to pass out. You can buy ready to print blank cards from Staples or Office Depot.
  • Don't enter a drawing, raffle, fill out a coupon or hand over your Expo Card to be scanned, unless you want to be on that company's mailing list. If you do, it's a great way to get their catalogs, and get a free gift.
  • Enjoy every minute and go again next year.
  • Ask everyone you see for more advice. You never know what hidden gems you'll uncover.

Got some advice of your own? Please share it in the comments!

Friday, July 25, 2008

Q and A about ALA

Question: There were so many excellent blog accounts with compelling text and terrific pictures of the 2008 American Library Association conference that people posted immediately after returning from Anaheim. Does anyone have mediocre pictures with scanty text posted a month after the event?
Answer: Absolutely! Wizards Wireless is happy to fill that need.

Question: Hey, Susan, where have you been? Why haven't you posted here for a while? Do you have a dramatic and compelling reason for not blogging?
Answer: No, it's a pretty boring reason, really. I've been busy with term papers, the ALA conference, a family vacation, work, etc. etc. But I keep meaning to post. Does that count?

Question: Did you know that you're in a YouTube video that's been making the rounds of the Internet?
Answer: You mean this one?



Question: Did you feel slighted by the Project Runway people?
Answer: Why did they have a problem with the color black? Seriously, though, I'm honored to have been in it, and extremely impressed with all the editing and effort that Jim Averbeck and Maria van Lieshout put into it. And I think the whole video is hysterical, even though I've never seen the real Project Runway.

Question: How on earth did you get in the video?
Answer: I was at the Newbery/Caldecott Banquet. Jen Robinson (of Jen Robinson's Book Page) and I were walking by Betsy Bird (of Fuse #8), and Betsy asked if we'd do an interview. I was hoping they'd lose the footage or at least film it without sound, like what accidentally happened with Mo Willems' interview, but, nope. You can see all the interviews at On the Red Carpet at ALA.

Question: If you had a time machine, what would you do?
Answer: Stop myself from yanking the straps of my dress back up during the interview. I think you could play a drinking game by counting the number of times I did this. Ironically, the dress was originally strapless and I added the straps to make it more comfortable. Also, as long as I had a time machine, I'd change the answers I gave to the questions Betsy asked me. As soon as she asked me about books that I thought should have won, my mind went completely blank. Plus, maybe I'd use my time machine to prevent a few world wars.



Question: What, in fact, did you wear to the Newbery/Caldecott banquet?
Answer: I said in the Red Carpet interview that it was a bridesmaid's dress. That's true, but not the whole story. It was actually the bridesmaid dress from my own wedding... I liked it so much that I bought one for myself after the wedding and it's my favorite formal gown to wear. (Don't worry, I wore a white dress at my wedding).

Question: Do you have a good picture of Brian Selznick's sparkly shirt from the Newbery/ Caldecott banquet?
Answer: Here's a close-up of the shirt he made himself (or at least, he put the sparkles on it himself).

Question: Brian Selznick doesn't look happy enough in that picture and he was absolutely euphoric that evening. Do you have a picture of him with his eyes closed, standing next to Caldecott chair Karen Breen?
Answer: Sure.


Question: What about a picture of you standing with Mo Willems where you both look like deer in the headlights? Ideally, the picture would have Jacqueline Woodson standing behind you half obscured, and an unidentified person walking in front of you.
Answer: Here you go.

Question: How about a picture where Mo looks really cool and goofy and you look like an idiot because you had an impossible time keeping a straight face?
Answer: Try this one.


Question: Did the lovely Jen Robinson take both pictures, after you elbowed people out of the way so that you could stand next to Mo?
Answer: Yes, she did. And talking to Jen at the banquet was definitely one of the highlights of the whole conference for me.

Question: Did you use the thirty seconds you had in the receiving line talking to Mo to mention that you're in a book club with MotherReader? Did Mo know exactly who Pam was and ask if she was at the banquet? Did this make Pam's day when you mentioned it to her at a book club meeting?
Answer: Yes.

Question: Did Jacqueline Woodson speak to you in sign language after you complimented her on the excellent ASL descriptions in Feathers?
Answer: Yes. She seemed very touched that someone noticed her descriptions, and she signs quite well.

Question: Did you give any accurate advice in this post about the Newbery/Caldecott banquet?
Answer: No, not really. It wasn't as formal as I said, and I ended up caving in and wearing my nametag over my evening gown (which Wendie Old astutely pointed out).


Question: Were you surprised at the lack of quality totebags on the exhibit floor this year?
Answer: Definitely. I had to actually buy a totebag, because I couldn't fit everything into the bright orange one included with the conference registration.

Question: How could you possibly buy a totebag when you own a million free totebags that you've picked up at various conferences?
Answer: (I think this question may have been submitted by my husband). Because it was an incredibly cool one from Unshelved, and I'm always happy to support Unshelved.

Question: What did the table in your hotel room like like before you packed?
Answer: Like this, but this doesn't include all the stuff I had in my totebag.

Question: Do you have a good picture of Laura Vaccaro Seeger signing books?
Answer: Yes, and for once, it's actually a decent photo.


Question: Did you have an amazing time at the blogger get-together at the Feiwel and Friends suite?
Answer: It was terrific. I felt like I was one of the cool kids for probably the first time in my life.

Question: Do you have a photo of Laurie Halse Anderson and Betsy Bird about a second before they met for the first time where neither of them are looking at the camera? Is Betsy wearing a Minnie Mouse dress? Are Monica Edinger and Jen Robinson in the background?
Answer: Yes, yes, and yes.Question: Do you have a better picture of Jen and Betsy?
Answer: Yes. Here's one from the Newbery/Caldecott banquet.


Question: Will you ever learn to use Photoshop?
Answer: Probably not any time soon. But if I did use Photoshop, you wouldn't be able to see this slightly demonic picture of Horn Book Editor in chief, Roger Sutton with red eyes. (If you click on the picture to enlarge it, you'll see what I mean).

Question: Could you drop Mo Willems' name any more in this post?
Answer: No, I don't think that would be possible.

Question: Are you blatantly ripping off Dave Barry's "Ask Mr. Language Person" columns by interviewing yourself?
Answer: I prefer the word "homage."

Sunday, June 29, 2008

ALA Convention: Disneyland

Greetings from the American Library Association Annual Convention!

Welcome to Disneyland...

where statues are taller than castles

where Mary Poppins is waiting to greet you

where you can stand in line for everything

Including season passes

where the benches have mouse ears

where only serious items are sold in the shops

where danger lurks around every corner

where the staff is always smiling

even when It's a Small World is closed

and where everyone carries a bag.

Things I learned at Disneyland:
Librarians make fantastic park companions.
They're incredibly organized and they show up early.

Academic librarians can run faster than you think.

Acquisitions librarians research everything.

A good way to get to know a library director is to sit next to one on Space Mountain.


Monday, June 23, 2008

More advice for the ALA convention

I'm going to my second American Library Association Annual Convention this week and I can't being to tell you how much I'm looking forward to it.

As soon as I got back from last year's convention, I wrote a post about the things I learned. Here are a few more tips (mainly geared to attendees interested in children's books). Feel free to add your own advice in the comments.

My first piece of advice comes from Maria at Library Praxis.
Go to the sessions you want to go to... not the ones you think you should go to.

What should you wear?
Last year I noticed that for the most part attendees were dressed pretty informally. I think you could get away with jeans and a nice shirt... although slacks look a bit more professional. If you have a job interview, bring along a change of clothes for the interview.

Make sure to wear comfortable shoes. You'll be doing a lot of walking.

Plan ahead.
Use ALA's Event Planner. Visit the ALA Annual wiki. Make a list (or a spreadsheet) of everything that looks interesting to you. Obviously, you can't go to everything, but it's nice to have all the options in front of you.

Be spontaneous.
I know, I just told you to plan everything out. But, also remember that you don't have to do every last thing on your schedule. Make sure to linger to talk to your favorite authors. Go to lunch with an old (or new) friend. Take a nap if you need one.

Advice for the exhibits
I'll admit, I copied some of this from my post about the Book Expo, but a lot of it applies to ALA too.

Go to the booths of the large publishers.
You'll find multiple copies of books laid out on the floor or on tables in big stacks. You can take these (for the most part). If there's a publisher that you're really interested in, you might want to check back at their booth later during the conference, because they'll put out different books on different days. Smaller publishers are less likely to have the funds to do this.

Ask for books you're interested in.
Publishers bring tons of books with them, but don't have the quantities to put every book out in a stack for everyone to take. If there's a book you're dying to read, find out who the publisher is, go to their booth and tell them what book you're looking for. If they don't have a copy with them, they may be able to send you one after the conference is over. Or not. But, it's always worth it to ask. And, even if you don't get to walk away with one, they'll probably have a copy on display that you can take a look at (which is particularly useful for picture books).

Don't take eveything you see.
There are tons of free handouts available at ALA. Take only what you're interested in (or what a friend or colleague who didn't get to go would be interested in). If there's a free book or an ARC (advance review copy) that you already have access to, or have absolutely no interest in or use for... leave it for someone else. The same rule applies for fliers, tote bags, pens, and all the other freebies you'll see. Don't worry; you'll still acquire tons of free stuff.

Talk to the vendors
Don't just look at them as a source of free books. ALA gives you a chance to share your opinions with the publishers and ask them about your favorite and forthcoming books. They may know an interesting detail about an author or the creation of a book that will help you "sell" a book when you get back home. And they'll be interested to hear your feedback about their books and products. And ask them any questions you have. They know a lot more about their books than what's in the catalogs.

Are you going to the Newbery/Caldecott banquet?
Here are a few things I noticed during this sublime event last year.

This was described to me as the "librarian prom" and I think that's a fitting description. It's definitely a black-tie event. Wear the nicest dress or suit that you feel comfortable shoving in a suitcase and dragging with you to the conference. I brought my conference name tag with me to the event, but just couldn't bring myself to put it on over my evening gown.

If you don't have a table number on your banquet ticket, I highly recommend going into the dinner as soon as the doors open. The majority of tables are reserved for publishers or groups... so you have to search for a bit to find a table that doesn't have a placard on it. I made the mistake last year of dawdling when the ballroom doors were opened. (I had a good excuse, I was talking to a famous author who was standing behind me in the drinks line). I ended up scrounging for a seat in the back. On the other hand, the people seated in the back of the hall got to go through the receiving line first at the end of the night, and I got to talk to every single author honored during the evening.

What if you really want to hear the Newbery and Caldecott speeches but can't afford the banquet? The speeches are open to conference attendees. Go to the ballroom after dinner is served (last year the event organizers listed an approximate time when dinner was expected to be over). There are chairs on the side of the ballroom where you can sit and listen to the speeches for free.

Are the Printz Awards different from the Newbery/Caldecott banquet?
Yes. The authors of all the honored books get to give a speech. This is not true with the Newberys and Caldecotts, where you only hear from the winners and not the honor recipients.

I'd wear nice slacks, a suit, or a dress to this event. Jeans are definitely not appropriate.

Can you recommend a good book (or a good plan) for seeing Disneyland in a short period of time?
Check out the Unofficial Guide to Disneyland. I've used it on incredibly crowded days and holiday weekends at Disneyland and it's worked perfectly every time. It has touring plans that help you get through the park in the most efficient way possible, and it's always saved me an enormous amount of time waiting in line. No matter how exacting their plans seem, follow them. They know what they're talking about. Even if you don't have a full day to devote to Disneyland or California Adventure, this book is still worth a quick read. It gives a rating and analysis of every ride and attraction, which helps you plan your limited time.

Older editions of the book are fine for a lay of the land and to find out how how Disney's rides are structured... but I recommend using the touring plans only from the most current edition because things change so rapidly at Disneyland. Incidentally, the admission prices in the 2008 edition are already out-of-date. Check the official Disneyland website for the current prices and operating hours.

Are you a children's literature blogger?
I'm organizing a pizza dinner on Saturday night for bloggers and anyone interested in children's books. For details, see this post.

Anything else?
Above all, have a great time and enjoy the convention.

Sunday, May 25, 2008

Advice for the Book Expo

Are you going to Book Expo America (BEA)? Need some helpful hints? Here’s what I learned from this wonderfully enormous book trade show. (For an overview of the conference, check out this post.) See below for advice about how to get free books, meet authors, and not break your back. If you’re looking for tips for authors, they’re at the end of the post.


Plan ahead
Make a list of the authors and publishers that you're the most interested in. Don’t be embarrassed to bring a spreadsheet (your friends will only make fun of you for a few minutes, and then they'll start using it.)


Authors sign books in two places… in the official autograph area and in their publisher’s booths. The advantage to the autograph area is that you can see several authors in a short period of time without running around the convention center. The advantage to the in-booth signings is that you can be walking around the exhibits and stumble upon your favorite author. It’s also a good way to discover an interesting book. Both formats work fine.


To make sure that you see all the authors you want to see, make a list before the conference starts. BEA has a variety of autograph schedules on their website that are vital to the planning process. I typically rely on the ones sorted by date and time, and the Friday/ Saturday/ Sunday schedules at a glance.


Go through BEA’s list (it will take a little time, but it’s absolutely worth every minute) and create a spreadsheet. Write down every author that sounds interesting to you and list the day, time, booth numbers (both for the booths in the autograph areas and the publisher booths) and the title of the book that they’re signing. If you’re using Excel or a similar spreadsheet program, when you’re done with your list you can sort it by day and time, so you’ll have a complete schedule of what booth to go to at what time. Even though you might have more authors on your schedule than you think you could ever see in a limited time period, put them all on your list just in case something else takes longer or shorter than you expect.


It’s important to know which book an author is signing because some authors autograph more than one book during the course of the convention. You want to know which book you’re standing in line for. BEA is not the place to bring previously published books for authors for to sign. The authors and publishers are there to publicize this year’s books, not last year’s.


It's also a good idea to make a separate list of all the publishers that you're really interested in. Sort this spreadsheet by booth number, so that you'll find the publishers as you walk up and down the endless aisles. Book Expo has pavilions, which are essentially groups of similar publishers. For example, all the travel publishers will be in the same general area. This isn't to say that all the travel publishers will be there, but if there's a pavilion on a subject you're interested in, that's a great place to start.


As you write up your publisher list, you'll notice that some large publishers seem to be sharing the same booth. This typically means that a publisher has multiple imprints (see this post for more about what an imprint is). You'll find that these publishers have one huge booth but are displaying many different catalogs and books because their company owns several smaller companies.


Get there early
There are a few high-profile authors that you need tickets for in order to attend their signings. As soon as you arrive (even before the exhibit hall opens) go immediately to the ticket booth in the lobby. The tickets are free and you can get up to four tickets per day (meaning 1 ticket for 4 different authors). They run out quickly, so be sure to get to the ticket booth early.

Don't take everything you see
There are tons of free handouts available at the BookExpo. Take only what you're interested in (or what a friend or colleague who didn't get to go would be interested in). If there's a free book or an ARC (advance review copy) that you already have access to, or have absolutely no interest in or use for... leave it for someone else. The same rule applies for fliers, tote bags, pens, and all the other freebies you'll see. Don't worry; you'll still acquire tons of free stuff.

Books are heavy
Obviously, you already know this. But, after you cram 50 free books into a tote bag, you'll realize that you can't physically stagger around the conference center anymore and you'll start judging books by weight, not quality.


Here's a tip for how to avoid breaking your back. As soon as the exhibit halls open on the first day, find the mailing center. It's usually in the back of the exhibition area and you can use it for directly mailing books home from the convention center. There are lots of empty boxes available. Write your name (or the name of your bookstore, library or organization) in big letters on the outside of the box and put it somewhere you'll remember it (like next to a pillar). Every few hours, come back to the box and dump out the books you're lugging around. At the end of the conference, mail the books home directly from the mailing center.


What if you live in the city where the Book Expo is being held? Shouldn't you just drag the books to your car instead of paying for postage? Nope. I tried this the first day of the Book Expo I attended which was in my home town and it was impossible, even with a personal courier service (my husband and his car) parked just outside the exit. I lugged 3 (or maybe four) BOXES of books across the convention center (the mailing center was in the back of the exhibit hall... nowhere near the exit). I didn't have a dolly or a cart (because they’re not allowed in the exhibit hall) and it was awkward, painful, and incredibly time consuming. The next day, I mailed the books home... and it was worth every penny not to go through that again. If it's not in your home town, don't even think about it. Just mail the books home.


Even if you decide not to mail the books... you should still set up a box in the mailing center so you have a place to put the books during the convention. If there's something extremely valuable (like a signed first edition by your favorite author that you don't want to lose under any circumstances) you may want to keep it with you. But, as the day goes on and your tote bags get heavier (and you pick up a surprising number of signed first editions by your favorite authors), you'll probably end up putting more books in the box (or boxes) than you expect.

How do you get free books?
You've walked up and down several rows in the exhibit hall and you don't see any publishers giving away books. You can't seem to acquire even two or three books... let alone the boxes I've mentioned above. Here's how:


Go to the booths of the large publishers. You'll find multiple copies of books laid out on the floor or on tables in big stacks. You can take these... and if there's a publisher that you're really interested in, you might want to check back at their booth later during the conference, because they'll put out different books on different days. Smaller publishers are less likely to have the funds to do this.


Ask for them. Publishers bring tons of books with them, but don't have the quantities to put every book out in a stack for everyone to take. If there's a book you're dying to read, find out who the publisher is, go to their booth and tell them what book you're looking for. If they don't have a copy with them, they may be able to send you one after the conference is over. Or not. But, it's always worth it to ask. And, even if you don't get to walk away with one, they'll probably have a copy on display that you can take a look at (which is particularly useful for picture books).


Go to the autograph sessions. The books being handed out (both in the autograph area and the in-booth signing) are free. Plus, you get the author's signature and a chance to talk to them. If an author has no line in front of them at an autograph session, and their book sounds interesting, go up and meet them. You may discover something special. I found this was a great strategy to find new picture books I hadn’t heard of.


Talk to the vendors

Don't just look at them as a source of free books. The Book Expo gives you a chance to share your opinions with the publishers and ask them about your favorite and forthcoming books. They may know an interesting detail about an author or the creation of a book that will help you "sell" a book when you get back home (in a bookstore, in a library, in a review, etc.) And they'll be interested to hear your feedback about their books and products. And ask them any questions you have. They know a lot more about their books than what's in the catalogs.


Talk to the other attendees

The book industry is fully represented on the floor of the convention center. Talk to the people that you're standing in line with and sitting next to at lunch. BookExpo is a great melting pot of booksellers, librarians, publishers, authors and anyone else you can think of that has an interest in books. It's a great place to get advice and new ideas.


Advice for authors

I’m not an author, but here’s what I would do if I were one. First, if I were anywhere remotely near the town the BookExpo was being held in, I would make it my business to go to it regardless of whether my book was being published this year, next year or last year. Once there, I would go out of my way to meet everyone connected with my publisher.


Authors already know their editors, obviously. But, as a book buyer, I don’t meet with editors, I meet with sales reps. (For an great description of what a rep does, see Alison Morris’ excellent post at Shelftalker.) The reps are the ones on the front lines doing the selling, and they’re also the people standing in the publisher booths talking to passerby during the conventions. Introduce yourself to them. If you’ve had a book published recently with that house (or it’s forthcoming in the current season), they probably already know who you are and have most likely talked to tons of buyers about your book. Talk to them and listen to their feedback. If every book buyer hates the cover of your book, or loves the main character, they’re the ones that hear it. Don’t neglect to talk to the publicists either, who are another crucial part of selling your book. Basically, if they’re part of your publishing house in any way, get to know them.


Be nice during the autograph sessions. Remember that the people waiting in line to see you are (for the most part) booksellers and librarians. Each one has the power to get your book into the hands of hundreds of people. Don’t be rude to them. They’ll remember. As a bookseller, I can tell you that when a customer loves a particular author’s books, it’s a real treat to be able to say that the author is just as lovely in person.


Don’t be discouraged if nobody is in line to receive a free autographed copy of your book. There are so many books and authors at the convention that sometimes even famous authors can have little to no line in front of them. Every person who does get a copy of your book, (no matter how many or few that number may be) has a chance to discover your work, so enjoy talking to the people who do come up to you. And remember, that it takes a little time to get established. Two years ago, I saw a big stack of free copies of Diary of a Wimpy Kid by Jeff Kinney available at the BookExpo. A few people took them, but I passed the stack several times during the conference, and it didn’t move much. Now that Diary of a Wimpy Kid has been on the bestseller lists for a while, I’d imagine those same books would go in a heartbeat today.


Go to the booths of publishers that produce books in the field you work in. If you’re a writer of cookbooks, check out other cookbooks and see what other people are writing. If you write early chapter books, pick up a stack of early chapter books to get an idea of the current state of the genre. Talk with other authors and publishers who work in your genre to get advice, feedback and share tips.


Above all, have fun. It’s wonderful to meet old, new and potential friends, colleagues, and fans, to get to know your publisher, to interact with other authors in your field and make wonderful discoveries.


And, if (like me) you can’t go to the Book Expo this year, don’t worry. There’s always next year. If you have any helpful hints, I’d love to hear them. Let me know in the comments if you have advice for Book Expo attendees, and I’ll be sure to try it out next year when the convention is back on the east coast.

Monday, March 24, 2008

Should you go to BookExpo America or ALA?

There are two huge conventions coming up for people in the book industry:
Should you go to one of them? Both? I've been to both BookExpo and ALA and here's a comparison of the differences between the two that might help you decide.

The biggest question I have for you is: what's your reason for going?

To get free books.
BookExpo, hands down. There are certainly free books at ALA, but nothing compares to the sheer quantity of books you'll stumble away with from BookExpo. Someone once told me that they associate Book Expo with physical pain because of how many books you end up carrying around. To give you an idea of what they're talking about: at ALA, I walked away with bags of books. At BookExpo I walked (and dragged) away boxes of books.

To attend sessions, workshops and programs.
ALA definitely wins out on this one. BookExpo is a trade show and the exhibits are the main event. ALA is an enormous convention, and the exhibits are only one part of it. ALA has every kind of program, awards ceremony, discussion group and meeting on the topic of libraries and books you can imagine. There are programs at BookExpo too, but they take up only a few rooms in the conference center. The programs at ALA take up the meeting rooms of nearly every major hotel within five blocks.

To network with colleagues.
It depends on who your colleagues are. Booksellers? Go to BookExpo. Librarians? Go to ALA. For everyone else... such as bloggers, teachers, authors, the answer to this question is a little more fuzzy. If you want to talk with people about literature, then ALA is the place for you. BookExpo tends be more focused on the business aspect of things.

To meet authors.
This one is a tough call, but I think that BookExpo wins out in terms of sheer quantity. Here's a sampling of authors I met, spoke to and got autographed copies of their new books in ONE DAY at BookExpo. They include: Marc Brown, Tomie DePaola, Dave Barry, Ridley Pearson, Eoin Colfer, Lane Smith, Andrew Clements, Marc Teague, David McPhail, Mo Willems, Sandra Boynton, Ann M. Martin, Jon Muth, and Daniel Handler (a.k.a. Lemony Snicket). The scary thing? That's only about half of the authors and illustrators I talked to that day.

In all fairness to ALA, there are an enormous number of authors there, too. If you're looking to hear authors talk, ALA is the place because of the plethora of fantastic and unforgettable speakers. They appear in workshops, give keynote addresses and beautiful award acceptance speeches. Plus, they're signing books all over the exhibit hall. You certainly won't lack for authors to meet at either conference.

To see every publisher in the known universe.
BookExpo. People who have only attended ALA may find this hard to believe, but there are even more exhibits at Book Expo than at ALA. How do I know? Both conferences were held at the D.C. Convention Center within the last two years. The ALA exhibits took up three ENORMOUS exhibit halls. The BookExpo exhibits took up all five exhibit halls.

On the other hand, I don't think that this really matters. Just about every major and minor publisher has a booth at both conferences. You'll see all the same publishers no matter which one you go to.

Are these conferences worth going to?
Absolutely. They're both wonderful, enriching and exhausting experiences. You'll meet more people (including famous authors) then you could have dreamed possible. You'll talk with countless people who love books as much as you do. You'll walk away with a ridiculous number of free books, pens and totebags. You'll get a terrific preview of the upcoming year in the book world and you'll feel prepared and on top of things as new books get released.

Which one should you go to?
That's a question you have to answer for yourself. It depends a great deal on where the conferences are located (in relation to where you live) and what your goals are. If you are a book lover, and in the book industry (or write reviews)... I'd recommend going to one per year, budget permitting. Alternate which one you go to each year, if you can. And if you're a librarian who has never been to the BookExpo, or a bookseller who has never been to ALA, give those conferences a try. You won't regret it and you may start looking at your industry from a different perspective.

Unfortunately, this year, both ALA and the BookExpo are in Los Angeles, only a few weeks apart from each other. This is great for people who live on the West Coast, but pretty depressing for the rest of us.

Plan ahead
If you can't go this year, go next year. Here are the upcoming locations for both conferences:

2009: BookExpo in New York City, ALA in Chicago.
2010: BookExpo in Washington DC, ALA in Washington D.C.
2011: BookExpo in Las Vegas, ALA in New Orleans.

ALA actually has all their convention dates planned between now and 2014, but even I can't think that far ahead.

In the next few weeks, I'll post specific advice for each conference.