Saturday, April 30, 2016

Tony, Tony, Tony, Tony, Tony

Several years ago, I tuned into the Tony awards telecast eager to find out whether Ragtime was going to beat The Lion King. (It didn't.) I made my new boyfriend watch the whole thing with me, even though he didn't care at all about the results. The next day at his work, his colleagues were talking at lunch about what they had watched on television the night before. "Anyone watch the World Cup?" someone asked. Several people had. "How about the NBA playoffs?" Again, a lot of murmurs of agreement. My boyfriend said, "Hey, did anyone watch the Tonys?" Dead silence.

I've always loved that story because I think it's a fairly good representation of the Tonys in popular culture. They have a very limited audience- you have to physically go to New York and see the original productions. You really can't tell who is going to win Best Choreography if you listen to the cast album. This is completely different from the Oscars, because you can see the nominated movies anywhere.

Also, that boyfriend is now my husband, and I still make him watch the Tonys with me every year. 

This year, I'm particularly excited to find out how Hamilton will do at the Tonys. Let's start with this question: How many Tonys can Hamilton actually win?

It's eligible for the following 13 categories:

1. Best Musical
2. Best Book of a Musical
3. Best Original Score
(These three categories can only be won by new musicals).

4. Best Orchestration
5. Best Direction of a Musical
6. Best Choreography
7. Best Scenic Design of a Musical
8. Best Costume Design of a Musical
9. Best Lighting Design of a Musical
10. Best Performance by a Leading Actor in a Musical
11. Best Performance by a Leading Actress in a Musical
12. Best Performance by a Featured Actor in a Musical
13. Best Performance by a Featured Actress in a Musical
(These ten categories can be won by either new musicals or revivals- which means the field is much larger for these awards.) 

The current record is held by The Producers, which won 12 Tonys and was nominated for 15. The Producers won every single category for which it was nominated, which is a rather incredible acheivement. The three nominations that The Producers didn't win were in the acting categories because multiple actors from the show were nominated for the same category. The one category it didn't win, is also the only one it wasn't nominated for:  Leading Actress. 

The Tony Administration committee has ruled on eligibility for certain parts in Hamilton, and whether they belong in the Lead or Featured Actor categories. Lin-Manuel Miranda, Leslie Odom, Jr.  and Phillipa Soo will all be considered in the Lead categories.

If Hamilton gets nominated in all thirteen categories- then it is within striking distance to go for the record. The Producers only had three eligible performer categories, but with the decision to put Phillipa Soo as a Leading Actress, Hamilton now has all four performer categories available.

Also, don't be surprised if it receives more than thirteen nominations. Hamilton is likely going to have the same problem as The Producers. If multiple actors get nominated in the same category (which I would expect), it won't be possible for Hamilton to win all of its nominations. 

How many possible Tonys could Lin-Manuel Miranda personally go home with? If he was nominated for every available category and he won all of them, I see four Tonys on the list above that could wind up on his mantel. Best Book of a Musical, Best Original Score, Best Performance by a Leading Actor in a Musical and Best Orchestrations (which he collaborated on). The award for Best Musical is given to the producers- and he didn't produce the show. But the possibility of seeing the same person win the composing and writing award and an acting award and an arrangement award- that is incredibly exciting.

I have an image in my head from when Norah Jones won so many Grammys in the same night that she could barely hold them all. I keep thinking about this picture every time I think about what a photo of Lin at the end of the Tonys might look like. 

In The Heights was nominated was for 13 Tonys and won 4. Lin-Manuel Miranda was personally nominated for two: Best Score (which he won) and Best Actor (which he lost). (As a footnote, I'll mention that In the Heights was also nominated for Best Sound Design, a category that no longer exists.) But Hamilton is a whole different ball game. It's a hit, it's a hit, it's a palpable hit. A crazy lottery, standing room only, sold out forever hit. A show doesn't have to be a monster hit like Hamilton to win Tonys, but it doesn't hurt. 

For me, a lot of the drama is going to be in the Actor categories. Ignoring the other shows for a moment- if it was a match-up between just Lin-Manuel Miranda (Hamilton) and Leslie Odom, Jr. (Burr)- who would win? (Oh, the irony, given that the show itself is a match-up between Hamilton and Burr.) Common sense probably tells us Lin, but I have to say that Leslie was show-stoppingly phenomenal. 

What about the Featured Actors? The ensemble work was all exceptional and it is difficult to rank one above another. If I absolutely had to, I would say Daveed Diggs (Lafayette/Jefferson) and Chris Jackson (Washington) were the true standouts. So was Jonathan Groff (King George III), even through he was only on stage for a few moments. Okieriete Onaodowan (Mulligan/Madison) was also terrific, but there may not be enough room in the nominations. 

On the actress side, both Phillipa Soo (Eliza) and Renee Elise Goldsberry (Angelica) were outstanding, so I'm glad they won't have any other competition in their categories from others within the show. There's a small possibility that Jasmine Cephas Jones (Peggy/Maria Reynolds) will get nominated as a Featured Actress, but I think her part is probably too small.

We can't ignore those other shows forever. Here's a list of eligible new shows that will be vying very hard not to be shut out.

The Tony nominations will be announced on Tuesday, May 3 and the Tony Awards will be on Sunday, June 12.

Wait for it.

Monday, April 4, 2016

We're There

I read hundreds of new picture books every year. Some are dreadful. Most are good. A few are great. And occasionally, a very special book makes you want to grab people on the street and tell them about the amazing new book you just read.

Like this one.

Are We There Yet? by Dan Santat accomplishes so much between the covers of a picture book.

It's daring, dynamic and filled with a multitude of meanings. The art blends several styles simultaneously. The colors are bold, brilliant and constantly surprising. It's beautiful, fun, silly, and touching all at the same time.

The constant change from gorgeous full page spreads to small graphic novel panels is arresting. The devices used to keep the reader going in the right direction are creative and well-employed. It's very fun to hand this book to other people and watch the book turn around and around as they figure out how to read it for the first time.

And the details! How I love all the tiny, little creative details hidden in nearly every page. The color contrasts. The facial expressions. The endpapers. The outfits the parents wear. What is hidden underneath the dust jacket. On and on and on. Every time I read it, I find so many more fantastic details.

Try reading this one aloud. There's so much brilliance in the text. The overarching words about the road and where life may lead you could almost be taken out and read separately from the pictures and still be poignant. And the speech bubbles are in the language that children speak and are funny on another level.

I don't want to call it a follow-up to Beekle, because I don't want to compare the two books at all. It feels like every time a successful author has a new book, it is inevitably compared to their past achievements. I thought it might be refreshing to talk about the new book without the comparisons.

Disclaimer: I've probably read and studied Beekle far more than the average bear (or human) since I was a member of the committee that awarded Beekle the Caldecott Medal, so truly, this isn't about a lack of familiarity with Beekle.

Give this book a try. Take your time.